[Fmpro] John Hutchinson

[Claude Castonguay]

Quote
"But, of course, say many collecting societies "Our members will  
protect us because we protect them and they love us for it."
Really? I don't think so! As far as the performing right is  
concerned, distribution two years from performance for overseas
collections is not unusual and it often takes longer. That is totally  
unacceptable. One year for domestic performing right royalties
and even for mechanical royalties on the continent is quite normal.  
We have to do better than that!"

That's why i was wondering when he did this speech, because if he  
actually pronounced it before 2000, not many of is colleagues took  
note...

Best,

Claude
On 06-08-01, at 11:25, Les Hurdle wrote:

> I don't recall, but his words should be noted.
>
> L
>
> On Aug 1, 2006, at 6:26 AM, Claude Castonguay wrote:
>
>> Hi,
>>
>> when was this speech pronounced? At one point he talks of objectives
>> for the year 2000..?
>>
>> Best,
>>
>> Claude
>> On 06-07-31, at 18:06, Les Hurdle wrote:
>>
>>> Only one person !
>>>
>>> L
>>>
>>> On Jul 31, 2006, at 12:20 PM, Scott Szabo wrote:
>>>
>>>> That is a very enlightening article.
>>>>
>>>> Scott Szabo
>>>> Szabo Sound & Music
>>>> 2400 Central Parkway, Suite C
>>>> Houston, TX 77092
>>>> 713-956-7451
>>>> www.szabosoundandmusic.com
>>>>
>>>> -----Original Message-----
>>>> From: fmpro-bounces+scott=szabosoundandmusic.com at nxport.com
>>>> [mailto:fmpro-bounces+scott=szabosoundandmusic.com at nxport.com] On
>>>> Behalf Of
>>>> Les Hurdle
>>>> Sent: Saturday, July 29, 2006 8:09 AM
>>>> To: fmpro at nxport.com; thecomposersguild at yahoogroups.com
>>>> Subject: [Fmpro] John Hutchinson
>>>>
>>>> Was he right?
>>>>
>>>>>> let's face it, it is a lot easier to sit back and
>>>> earn interest on the float of money you are holding, than to pay
>>>> it out
>>>> quickly and accurately<<
>>>>
>>>> Accurately..... why would he use such a word?
>>>>
>>>> http://www.musicomm.net/rcrchutchinson1.html
>>>>
>>>>
>>>> Anyone know of the details re some EU PRO's who place a monetary
>>>> cap on
>>>> royalties because of the number of times a work is broadcast?
>>>> E.G.  GEMA, SGAE etc?
>>>>
>>>> L
>>>>
>>>>
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>>>
>>> _______________________________________________
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>> _______________________________________________
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>
> _______________________________________________
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