[Fmpro] FMPRO Digest, Vol 24, Issue 1

[flight007@aol.com]

Two points from Les M's communication. Composers do seem to have run 
out of steam, both in their interest and their desire to 'follow the 
dollar.' The suits, by their constant procrastination and ineptitude 
have won the day. Composers do the work and the suits get the money. 
Reminds me of an earlier period in American history!

Never tried doubling a tuba line with an alto flute, but years ago in 
Lansdowne Studios, London (probably the best there was) I had doubled a 
tuba with a military bass drum. Amazingly, during the analogue mix, 
when ever the bass drum played, the tuba disappeared. Could see it on 
the meter but could not hear it. Tried it every which way. In the end 
we scrubbed the bass drum.

Vic Flick


Message: 8
Date: Tue, 03 Apr 2007 20:01:47 -0400
From: Les Mizzell <lesmizz at bellsouth.net>
Subject: Re: [Fmpro] Not getting FMPRO email
To: fmpro at nxport.com
Message-ID: <4612EAEB.6060009 at bellsouth.net>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed

> same here, assume people are just not posting anymore....

We've run out of steam.

Bitch about ASCAP.

... Nothing happens

Propose asking/demanding explanation/whatever from ASCAP.

... Nothing happens

Wonder why the suits are making millions on music downloads on the
internet and where the hell are my royalties from this?

... Nothing happens


Think that about covers it all, right?
What else do we have to talk about now?

Hey, how do you feel about the sound you get when you double your tuba
lines with an alto flute?
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