[Fmpro] NO one?? PRS changes?

[leshurdle]

Didn't Dowdle have the numbers on this?

A broadcaster who operates under PPL actually 'makes' money !!

L

On Aug 9, 2007, at 12:43 PM, Mark Northam wrote:

> Plus, when broadcasters deduct money from their ASCAP bill under the
> per-program license, where music they direct license gets to be  
> subtracted
> from their  ASCAP bill, my understanding is that the deductions are  
> all
> equal, they don't get more or less of a deduction because of score  
> or song.
> I'm checking on whether their deduction is higher or lower based on  
> the time
> of day that the music was broadcast...
>
> Sort of blows up the ASCAP theory that some music is worth more than
> others...
>
> Best,
>
> Mark Northam
>
>
> On 8/9/07 12:28 PM, "Geoff Koch" <gk at kochproductions.com> wrote:
>
>> But as Les (and others) have pointed out, broadcasters do not  
>> differentiate
>> between the "value" of the music they're broadcasting when they  
>> pay "us" via
>> the PRO's.
>>
>> e.g. They don't say: "We'll pay X for Y minutes of prime-time  
>> music + but
>> only Z for re-runs (prime time or not) and other time slots."   
>> There's just
>> a blanket license that covers everything.  Am I mistaken?
>>
>> If they don't discriminate on the front end, they shouldn't on the  
>> back.
>>
>>
>> On 8/9/07 1:35 PM, "Chris Alpiar" <chris at alpiar.com> wrote:
>>
>>> That's the bottom line of course. The marketplace does determine  
>>> the value.
>>> And whether you like it or not, music you wrote that is performed  
>>> on a rerun
>>> of some show during the daytime does not deserve the same rate  
>>> that a prime
>>> time major network show is going to get paid.
>>
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>
>
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