[Fmpro] the copyrighting process

[Les Hurdle]

ASCAP said they wouldn't accpet cue sheets from
composers... is this now OFFICIALLY not the case?

L


--- scott at szabosoundandmusic.com wrote:

> 
> 
> >----- ------- Original Message ------- -----
> >From: Jim Chase <jchase at billyhalemusic.com>
> >To: fmpro at nxport.com
> >Sent: Sat, 20 Jan 2007 21:23:30
> >
> >Submit the Cue Sheet to your PRO by registered
> >return receipt mail (NOT 
> >email!), keeping a copy for yourself.	The sooner
> >you mail = better for you.
> >
> >Jim Chase
> 
> My recommendation is that you submit your cue sheet
> electronically (email). call your PRO and ask them
> how to send it and to whom. Sending by paper means
> that your PRO has to re enter the data y hand adding
> months to you getting a paycheck. When sending your
> cue sheets by email, have the computer get an
> electronic receipt from the person receiving the
> email and keep a copy of the email you sent as well
> for your records.
> 
> This is your musical "time card" if you will. This
> is the proof that you should get paid.  It is that
> important. It is alot of paperwork (electronic or
> otherwise) but it sounds like you are not composing
> as a hobby but as a business.
> 
> Good luck,
> 
> Scott Szabo 
> 
>  
> >_______________________________________________
> >The Film Music Pro List is sponsored by Film Music
> >Magazine -  http://www.filmmusicmag.com
> >
> >To edit your list options or unsubscribe, visit:
> >http://nxport.com/mailman/listinfo/fmpro
> _______________________________________________
> The Film Music Pro List is sponsored by Film Music
> Magazine -  http://www.filmmusicmag.com
> 
> To edit your list options or unsubscribe, visit:
> http://nxport.com/mailman/listinfo/fmpro
> 



 
____________________________________________________________________________________
Now that's room service!  Choose from over 150,000 hotels
in 45,000 destinations on Yahoo! Travel to find your fit.
http://farechase.yahoo.com/promo-generic-14795097