[Fmpro] ALL residuals ???

[Lynne T. Conte]

Kerry,

A lot of sources where I am trying to get opinions are established talents,
not students.  I now have a high interest in this matter and I am going to
find answers for a resolution.  I really didn't think it was such a crime to
take my elective courses at Berklee College of Music to receive
certificates.

I joined this chat to investigate the job postings as I do look out for the
best interest of my clients and talents that I am doing favors for.

Kerry, do you have answers?

Musically Yours,

Lynne T. Conte/Talent Manager
Conte's Networking Communications

On 5/15/07, Kirbyko3 at aol.com <Kirbyko3 at aol.com> wrote:
>
>
> In a message dated 5/15/07 4:48:29 AM, profwoman4u2 at gmail.com writes:
>
>
> > More thoughts from Columbia:
> >
> > "Hi Lynne,
> >
> > I guess a recording company will agree and support payment of publishing
> > because recording companies think that performing rights would cut down
> the
> > share in the download pie. I suppose that a recording company prefers to
> > pay the performing right, pay the percentage of mechanical rights and
> keep
> > the rest, and do not want to include performing in which they do not get
> a
> > big piece.
> >
>
> Lynne, whether it's from Columbia or Poland or Germany or LA or Scranton,
> you're just passing along the basic tenets of Music Business 101.   I
> think we
> could all suppose that a record company wants to keep a lot of money and
> not
> have to give any of it away.    Stuff like this is just fanning the
> flames.
>
> Good luck with your ASCAP meeting today. We're all anxious to hear the
> answers to those questions.
>
> Kerry
>
>
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-- 
Lynne T. Conte/Talent Manager
Conte's Networking Communications
1-707-440-2900