[Fmpro] FMPRO Digest, Vol 31, Issue 15

[ElliotSoko@aol.com]

Re: Marinho Nobre's question-  Yes, I have had experience with BMI on  a few 
occasions in receiving film score royalties after broadcasts that did not  
appear on my royalty statements.  My experience has been that each time  this 
happened I got paid quickly after proving to BMI the there were valid  broadcasts 
by providing them with program listings from print media to  authenticate the 
broadcasts that didn't show up in their surveys.  (I  had previously 
submitted cue sheets for these scores.)
It does seem like BMI and ASCAP have totally different policies for this  
type of situation.  
 
Elliot Sokolov
 
www.elliotsokolov.com
 
 
In a message dated 11/22/2007 12:45:02 P.M. Eastern Standard Time,  
fmpro-request at nxport.com writes:

Message:  1
Date: Thu, 22 Nov 2007 11:43:25 -0500
From: "Marinho Nobre"  <marinho at manommg.com>
Subject: Re: [Fmpro] FMPRO Digest, Vol 31,  Issue 14
To: <fmpro at nxport.com>
Message-ID:  <002701c82d26$ce78ce90$6501a8c0 at ownerc17n0sv6y>
Content-Type:  text/plain;    charset="iso-8859-1"

I Guess we all know ASCAP  sucks.
Anyone out there has any experience with BMI or Sesac ?

Just  wondering..

Marinho Nobre







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