Re: [Fmpro] PRO strategy: need advice. Please READ the advise.

[kirbyko3@aol.com]

That's a great point.? I normally do scoring gigs, but I do have a ton of my stuff living with Pump Audio.? If they were to do a direct license with anyone, I'd get 50% of the publisher's share of that direct license but I don't know how my writer's share would get paid.?? I need to do some detective work.



kerry


-----Original Message-----
From: LesHurdle <leshurdle at avradionet.com>
To: fmpro at nxport.com
Sent: Wed, 3 Oct 2007 10:05 am
Subject: Re: [Fmpro]? PRO strategy: need advice. Please READ the advise.




Hi Kerry,

What you really need to ask, if you are a library composer.........  
and especially if you are a composer from overseas..... is this  
simple question.

How do you know your piece of music was sold as a direct license?

You wont...........  the fault is not just with the PRO's.

L

On Oct 3, 2007, at 5:21 AM, Kirbyko3 at aol.com wrote:

> Those articles were pretty juicy and the scenario they paint sounds  
> bleak.
> But it does sound like even if a direct-performance license did  
> happen, it
> would be with the tiny handful of composers who score the network  
> shows.   Would
> a situation like that even be feasible with all the cable nets,  
> considering
> how much cable music is production (library) music?
>
> I feel like I'm not completely grasping the gravity of this...  
> maybe you can
> offer a real-life-type scenario to help flesh out the picture?
>
> - Kerry
>
>
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