[Fmpro] P2P Piracy
Simon Barber
simon at simonbarber.com
Sun Apr 13 08:05:30 GMT 2008
Actually, the car analogy works perfectly. It serves to represent your
attitude to the consumer which is 'I wish to control what you do with
the end product. In fact, I'm so worried that you might do something I
don't like, that I'm going to build in restrictions based on my
mistrust of you dear purchaser, now hand over your money.' You
underscore my point by trotting out all of the old copyright dogma in
which you list ways in which you hope to shackle the consumer. This
granularity, this concern with each user's behaviour, and the infinite
task of trying to police them, is futile. You would be much better off
simply monetising the giant consumer base who aren't willing to play
by outdated rules. Embrace them and watch the money roll in. You are
also confusing 'free' with 'feels like free'. No-one is suggesting
that any user should be able to access all music for free simply
because they desire it. I am arguing that all users should be able to
access all music *for a simple flat rate fee* because they desire it.
Do you think about money every time you fill a glass with tap water?
Why not? You paid for it! If what we create was licensed correctly,
the system would compensate the content creator and turn the millions
of scary pirates (who aren't acting as you would like them to because
the system is too restrictive) into budding consumers. The average
consumer can either spend $15-$18 to get a piece of plastic with one
decent song on it, or they can download the track they like for free.
Plenty of these consumers choose the latter route not because they are
hell-bent on screwing the composer, but because it seems more 'fair'
to them than the first option. If a small affordable fee (which could
be rolled into another bill such as an internet tariff), was required
in order to access unlimited amounts of high quality content, there
would be no need for unregulated networks trading low quality
material. It's about becoming part of a content stream where everybody
pays a fair amount and the overall pie is much larger. You would love
your PROs in this model! ;-) The reason this hasn't happened is
because this empowers the user, it takes control away from the media
companies. Loss of control feels like the end of the world to these
incumbent, antiquated organisations. This is of course why we read so
many articles declaring the music business to be 'over'. The broken
model is 'over', yes. But the potential for a much bigger music
business is healthier than ever. The pool of money created by
embracing the general consumer's habits (and accepting that some
people will never pay) would be far and away bigger than your system
of hunting down individuals, and coming up with new ways to cripple
your products.
Simon
On 13 Apr 2008, at 00:35, chris at alpiar.com wrote:
Simon, your car analogy is poor. When you buy a copy of Digital
Performer, they make sure you know you cant copy it and send it to
10000 buddies via P2P. And if you find a way then you had to really go
out of your way to be malicious. Most every consumer or professional
software in any genre is the same. OK my habit and desire is that I
should get all the DAWs and sample libraries in the world that I want
free and at any time. Why arent I being accomodated? That argument is
simply ridiculous.
And furthermore, users of all products everywhere are restricted as to
what they can do with a product. It is very illegal if I buy a car and
dismantle and analyze every part and build 10,000 exact copies and
sell them or even give them away. I would be carted off to prison
before I could say power to the anarchists :p
Just because you buy a piece of music a. does not mean you own the
copyright to it b. any right to duplicate it c. any right to
redistribute it. When you buy a CD in the store you are effectively
buying a license from that artist to listen to it, unlimitedly, for
the lifetime of the product. You are not buying a thing that is yours.
People need to be woken up to realize that.
Christopher Kennedy Alpiar
Cinematic Composer
http://www.alpiar.com/
-----Original Message-----
From: Simon Barber [mailto:simon at simonbarber.com]
Sent: Saturday, April 12, 2008 06:03 PM
To: fmpro at nxport.com
Subject: Re: [Fmpro] P2P Piracy
No, the resistance to DRM is because it restricts what the user is
allowed to do with a product they have paid for. If I am buying a new
car and the salesman tells me I am only allowed to drive on a certain
street, I don't buy the car. To be successful, you accommodate the
user's habits, you don't enforce a mode of behaviour you would ideally
like to see. Have you considered the notion that the model you are
trying to apply to digital content is simply not the right one? From
the moment digital technology allowed perfect copies to be made, a new
business model was required, but still you insist on trying to shackle
empowered users to a broken system of digital handcuffs and control.
As one of the other readers suggested, the cat is out of the bag, you
can't go back and need to embrace new ways of generating revenue from
your content. Sorry to sound exasperated, but I am shocked at how
backward some of the thinking is on this list. All of this has been
apparent to digital con!
tent creators for the past several years.
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