[Fmpro] math facts
CORBERLAW@aol.com
CORBERLAW at aol.com
Sun Jun 1 18:21:39 GMT 2008
In a message dated 6/1/2008 5:05:33 AM Pacific Daylight Time,
fmpro-request at nxport.com writes:
SCENARIO 1: Three one minute Background Instrumental cues - paid at 20% of a
Feature for a one minute cue.
Cue 1: 1:00 - Pay $20
Cue 2: 1:00 - Pay $20
Cue 3: 1:00 - Pay $20
Total Royalty: $60
SCENARIO 2: Three one minute Background Vocal cues paid as features
automatically.
Cue 1: 1:00 - Pay $100
Cue 2: 1:00 - Pay $100
Cue 3: 1:00 - Pay $100
Total Royalty: $300
Result: a whopping 500% increase for the songwriters (or, a 80% penalty for
composers, depending on the perspective you take) simply because the music
has words. Even though BOTH usages are background and indicated clearly as
so on the cue sheets. And, since ASCAP is a zero-sum game, the more
royalties paid to songwriters means less royalties paid to composers.
You are focussing on what the PRO pays its member not on what the
broadcaster pays the PRO. The broadcaster pays for one blanket license, giving the
broadcaster the right to broadcast anything with a member's music in it. So, in
effect, let's say ABC pays BMI $150 million for all pieces of music that it
publicly performs. Let us also say that over one year, ABC broadcasts
500,000 minutes of music total (250,000 ASCAP, 250,000 BMI). ABC pays BMI
$600/minute of music and each minutes is paid for equally. But the PRO turns around
and pays some of the money paid that is attributable to your film score to a
songwriter so that songwriter can receive from BMI more per minute than you
do.
The "more money paid to songwriters" is really your money.
Remember there is probably more film music on the broadcaster than songs.
Film composers have lost more money from their PRO than they would have ever
paid someone to protect their rights.
If your PRO showed on your quarterly statement the gross amount it received
from its licenses attributable to your music and you saw how much money is
being paid to someone else from that gross amount, you'd probably want to do
something about it.
It's even more complex and shadowy than that.
PROTECT YOUR RIGHTS
Brian Lee Corber
attorney at law
_corberlaw at aol.com_ (mailto:corberlaw at aol.com)
corberlaw.com
818-399-4735
**************Get trade secrets for amazing burgers. Watch "Cooking with
Tyler Florence" on AOL Food.
(http://food.aol.com/tyler-florence?video=4&?NCID=aolfod00030000000002)
More information about the FMPRO
mailing list