[Fmpro] Where are the Distinctive Voices In Scoring?

Mike Vaccaro mike at mikevaccaro.com
Tue Jun 3 00:21:34 GMT 2008


Fernando

I am glad you liked that, I played 1st clarinet, Bobby Shulgold 1st flute, 
John Yoakum 1st Oboe, and Peter Mandell 1st bassoon. The orchestra was 
conducted by Tim Simonec (another great composer in his own right) and 
contracted by Reggie Wilson from Disney Studios. The woodwind writing was 
fantastic and though notey it laid well and was fun to play
Mike Vaccaro


Consider the environment before printing this email
----- Original Message ----- 
From: "Fernando Rivas" <fernando at rivasmusic.com>
To: <fmpro at nxport.com>
Sent: Monday, June 02, 2008 5:11 PM
Subject: Re: [Fmpro] Where are the Distinctive Voices In Scoring?


> Agree with that. That's the best cartoon music in a long time. Which
> orchestra was used? I don't remember the credits. There was a lot of
> difficult woodwind work performed brilliantly.
>
>
> On 6/2/08 7:58 PM, "Mike Vaccaro" <mike at mikevaccaro.com> wrote:
>
>> Michael Gahanna on Ratatouille and almost everything else he touches is a
>> very distinctive voice. If you don't the DVD or CD it would be worth your
>> time.
>> Mike Vaccaro
>>
>>
>> Consider the environment before printing this email
>> ----- Original Message -----
>> From: "Evan Evans" <composercollective at gmail.com>
>> To: <fmpro at nxport.com>
>> Sent: Monday, June 02, 2008 4:50 PM
>> Subject: [Fmpro] Where are the Distinctive Voices In Scoring?
>>
>>
>>> No not at all. I wan't being sarcastic.
>>> Williams excels in areas we all dream to excel in, and simultaneously
>>> destroys progress in areas some of us make our life's work to evolve. 
>>> It's
>>> a
>>> love-hate relationship that's completely justified for me.
>>>
>>> EEE
>>>
>>> Message: 8
>>>> Date: Mon, 02 Jun 2008 14:52:57 -0400
>>>> From: David Tkaczuk <d-dmusic at rogers.com>
>>>> Subject: Re: [Fmpro] "Where are the Distinctive Voices In Scoring?"
>>>> To: fmpro at nxport.com
>>>> Message-ID: <48444171.521569AB at rogers.com>
>>>> Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";
>>>>        x-mac-creator="4D4F5353"
>>>>
>>>> With tongue firmly in cheek Evan ?
>>>>
>>>> Dave
>>>> D&D Music
>>>>
>>>> Evan Evans wrote:
>>>>
>>>>> Ted,
>>>>>
>>>>> Thanks for the skepticism on Williams, it does help keep debate alive
>>>>> and
>>>>> his music under much needed scrutiny. However, its important to note
>>>>> that
>>>>> it's apparent you know very little about John Williams and for 
>>>>> instance
>>>> the
>>>>> scoring teams of the top 25 film composers, their processes and
>>>>> teammates
>>>>> various responsibilities. I do respect your conjecture. From your 
>>>>> point
>>>> of
>>>>> view it circumscribed many important points of suspicion about
>>>>> Williams.
>>>> But
>>>>> I can assure you, Williams writes around 95% of the notes you hear (an
>>>>> accurate estimate based on example). His artistry does not change
>>>> dependant
>>>>> on the changing of his crew over the years, and so it's easy to hear
>>>> "what
>>>>> is Williams" in anything he does, if you are familiar with his
>>>>> entire oeuvre. Williams also notates VERY fast, and developed an
>>>> excellent
>>>>> short hand for his notation, and can very easily put down nearly
>>>> everything
>>>>> you hear. He also does not change his music on the stand as 
>>>>> drastically
>>>> as
>>>>> other film composers do, although he does tweak and produce his music
>>>>> "on
>>>>> the stand".
>>>>>
>>>>> Just thought you should know this so that you can make your criticisms
>>>> even
>>>>> more effective. Anyone criticising Williams is doing a good service to
>>>> the
>>>>> community, in keeping this famous man's role in this artform under
>>>> scrutiny,
>>>>> as well as the art itself. If you feel the instinctive need to define
>>>>> Williams, I think it's very healthy that you do so. I simply recommend
>>>> you
>>>>> keep abreast of the details (facts, musical theory, etc), so that your
>>>>> arguments are strong.
>>>>>
>>>>> Evan Evans
>>>>
>>> _______________________________________________
>>> The Film Music Pro List is sponsored by Film Music Magazine -
>>> http://www.filmmusicmag.com
>>>
>>> Best of FMPRO: http://www.fmproquotes.com - Quotes site  by Billy Hale
>>> Music
>>>
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>>
>>
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>>
>> _______________________________________________
>> The Film Music Pro List is sponsored by Film Music Magazine -
>> http://www.filmmusicmag.com
>>
>> Best of FMPRO: http://www.fmproquotes.com - Quotes site  by Billy Hale 
>> Music
>>
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>> http://nxport.com/mailman/listinfo/fmpro
>>
>
>
>
> _______________________________________________
> The Film Music Pro List is sponsored by Film Music Magazine - 
> http://www.filmmusicmag.com
>
> Best of FMPRO: http://www.fmproquotes.com - Quotes site  by Billy Hale 
> Music
>
> To edit your list options or unsubscribe, visit:
> http://nxport.com/mailman/listinfo/fmpro


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