[Fmpro] "Where are the distinctive Voices in Scoring?"

[The Composer Collective]

And at least before LOTR, I learned that it is his own favorite score of his
own work as well. Before his collaboration with M. NIght Shamalyan, James
Newton Howard agreed with my two favorite scores of his as well ... FALLING
DOWN and GRAND CANYON. Since then I think PETER PAN blew me away and of
course SIGNS, SIXTH SENSE, and STIR OF ECHOES.

Evan Evans



> Date: Mon, 2 Jun 2008 21:33:35 -0400
> From: <bipcress at comcast.net>
> Subject: Re: [Fmpro] FMPRO Digest, Vol 38, Issue 4
> To: <fmpro at nxport.com>
> Message-ID: <001f01c8c519$d7e9d7e0$7fb53d47 at gargantua>
> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
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>
> THANK YOU: Shore's THE FLY is a truly superb film score. - JohnB
>
> ----- Original Message -----
> From: "The Composer Collective" <general at thecomposercollective.com>
> To: <fmpro at nxport.com>
> Sent: Monday, June 02, 2008 7:55 PM
> Subject: Re: [Fmpro] FMPRO Digest, Vol 38, Issue 4
>
>
> > I stand by Howard Shore loud and clear, amongst others. I always have.
> > Since
> > Bernard Herrmann, Howard Shore has been my favorite composer. Mainly due
> > to
> > his score to THE FLY.
> >
> > Evan
>