[Fmpro] a Les Hurdle tax question
CORBERLAW@aol.com
CORBERLAW at aol.com
Fri Jun 6 21:36:03 GMT 2008
In a message dated 6/6/2008 12:04:57 AM Pacific Daylight Time,
fmpro-request at nxport.com writes:
From: "Robert Stanton" <zolessi at comcast.net>
Subject: Re: [Fmpro] Where are the Distinctive Voices In Scoring?
To: <fmpro at nxport.com>
Message-ID: <002a01c8c762$8ea83590$6401a8c0 at D9Z4XPB1>
Content-Type: text/plain; charset="us-ascii"
Johnb, I think Ted is just filling in for Les Hurdle in his absence-
(just kidding - no offense intended) - ;-)
Les asked me this question off list; I only ventured a guess in response,
despite the fact that I know a little about tax law.
How do composers amortize their costs, tax-wise, in receiving royalties over
a period of years?
PROTECT YOUR RIGHTS
Brian Lee Corber
attorney at law
Los Angeles, California
_corberlaw at aol.com_ (mailto:corberlaw at aol.com)
corberlaw.com
818-399-4735
**************Get trade secrets for amazing burgers. Watch "Cooking with
Tyler Florence" on AOL Food.
(http://food.aol.com/tyler-florence?video=4?&NCID=aolfod00030000000002)
More information about the FMPRO
mailing list