[Fmpro] what is the full process on completion of a work ofmusic?
Chris Alpiar
chris at alpiar.com
Mon Jun 23 20:27:25 GMT 2008
well after yesterday learing about i need to proactively file with ascap (I
thought it was submitted when the cue sheets were entered), I dont feel I
know much for certain. Please keep the jokes out of this. I am trying to get
6 years of work straight here, and I want to be absolutely crystal clear on
what is expected of me when I finish a work
Thanks
________________________________
Christopher Kennedy Alpiar
Cinematic Composer
1280 Lytle Lane
Dayton, OH 45409
310.339.9603 (Los Angeles)
937.294.0900 (Dayton)
877.294.0912 (Toll Free)
chris at alpiar.com
www.alpiar.com
________________________________
> -----Original Message-----
> From: fmpro-bounces+chris=alpiar.com at nxport.com
> [mailto:fmpro-bounces+chris=alpiar.com at nxport.com] On Behalf
> Of Robert Stanton
> Sent: Monday, June 23, 2008 4:16 PM
> To: fmpro at nxport.com
> Subject: Re: [Fmpro] what is the full process on completion
> of a work ofmusic?
>
> . filing your work with EMI for european royalty??
> Ahem . . . Chris, I was only kidding about that EMI
> business - you know that don't you?
>
> Robert Scott Stanton
> San Francisco Bay Area, CA
> zolessi at comcast.net
>
> -----Original Message-----
> From: fmpro-bounces+zolessi=comcast.net at nxport.com
> [mailto:fmpro-bounces+zolessi=comcast.net at nxport.com] On
> Behalf Of Chris Alpiar
> Sent: Monday, June 23, 2008 1:07 PM
> To: fmpro at nxport.com
> Subject: [Fmpro] what is the full process on completion of a
> work of music?
>
> Can someone please list down the exact process of what they
> do as an independant music composer and publisher to fill out
> appropriate forms? For me from what I am learning it seems
> the process is:
>
> 1. file copyright with LOC
> 2. licenses with client/producer (sync, master, deal
> contract) 3. Making sure you are on the cue sheets (done by
> the production company, how do I do them when I am the
> production company - i.e. I am working directly for a client,
> say a jingle for a car dealer for a regional radio and tv ad)
> 4. filing your work with ascap catalog 5. filing your work
> with EMI for european royalty??
>
> what about mechanicals? that is in the deal contract only?
> what about overseas royalty? that is collected by EMI? Or do
> I join SACEM or something?
> what about re-titled work with libraries? They will take care
> of all the filings of everything? or do i still need to file at ascap?
>
> What else do you need to do? Other places to register? Please
> show me, I want to get this *(#$@ figured out once and for
> all. I have 6 years of backfiring and I really want to do
> this avec sang et furie
>
> Thank You!
>
> _____
>
> Christopher Kennedy Alpiar <http://www.alpiar.com/> Cinematic
> Composer 1280 Lytle Lane Dayton, OH 45409
> 310.339.9603 (Los Angeles)
> 937.294.0900 (Dayton)
> 877.294.0912 (Toll Free)
> chris at alpiar.com
> www.alpiar.com <http://www.alpiar.com/>
> _____
>
>
> _______________________________________________
> The Film Music Pro List is sponsored by Film Music Magazine -
> http://www.filmmusicmag.com
>
> Best of FMPRO: http://www.fmproquotes.com - Quotes site by
> Billy Hale Music
>
> To edit your list options or unsubscribe, visit:
> http://nxport.com/mailman/listinfo/fmpro
>
>
> _______________________________________________
> The Film Music Pro List is sponsored by Film Music Magazine -
> http://www.filmmusicmag.com
>
> Best of FMPRO: http://www.fmproquotes.com - Quotes site by
> Billy Hale Music
>
> To edit your list options or unsubscribe, visit:
> http://nxport.com/mailman/listinfo/fmpro
>
More information about the FMPRO
mailing list