[Fmpro] anyone seen this technology?? O.o
Louis King
lking1 at nyc.rr.com
Fri Mar 14 00:31:35 GMT 2008
I'm the first guy to shell out cash for a player ... however if I can
not have to call someone in to change 1 note !!!!!
I much prefer it
On Mar 13, 2008, at 8:20 PM, Christopher Alpiar wrote:
> Yea Louis, I agree that technology is luscious and the benefits are
> amazing. I just think we need to all consider the ramifications, I
> forget all the time wrapped up in samplers and computers. Just don't
> forget when you use that technology to bypass that session that you
> save some cash on, those musicians didn't get paid for a job that
> might have been, and you have affected change in the structure we have
> and since you have affected it, you must gestalt and see what the
> consequences will/might be.
>
> What will the shape of the business of Film Music (composers,
> orchestras, orchestrators, copyists, etc) be in 20 years? 50 years? Do
> you even care? (not saying you don't, just a question to all)
>
> On Mar 13, 2008, at 3:33 PM, Louis King wrote:
>
>> Truth is there is a flip side to this I don't think you take into
>> account.
>>
>> The technology can be used to alter/change the SOULFUL music I write
>> that has been preformed by actual musicians ( union ones BTW) when
>> the need be. This allows me to not have to pay another session fee to
>> bring back players/ singers to make a change that is asked for at a
>> later date.
>>
>> The machines can be used however you choose to.
>>
>
> Christopher Kennedy Alpiar
> Cinematic Composer
> www.alpiar.com
>
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