[Fmpro] Anyone using the QLSO ?????
Claude Castonguay
c.castonguay at videotron.ca
Thu May 1 03:56:20 GMT 2008
Hi Louis,
well actually from what i understand, Platinum XP as it is sold today
will simply not work on an Intel Mac, unless you own Kontakt 2 or 3 as
Chris said. If not you'll either have to buy Kontakt, about 449$, or
wait till the PLAY version of EWQLSO comes out.
The main differences between gold and Platinum from what i've read on
the Soundsonline forums are:
Platinum: Many more articulations. 3 mic positions. 24 bit samples
Gold: Less articulations. 1 mic position. 16 bit samples
HTH
Claude
On 08-04-30, at 21:12, Louis King wrote:
> Ah yes .... the newer vamped version clearly won't be compatible with
> the older ... good point
>
> perhaps I'll wait in the wings ..
>
> I forgot about that
>
>
> On Apr 30, 2008, at 9:10 PM, Chris Alpiar wrote:
>
>> If you have an Intel Mac, dont bother until the PLAY version is
>> released, or
>> it will be a veritable nightmare. Contact me offlist if you want full
>> details Louis, call anytime ;-)
>>
>> Chris
>>
>> Christopher Kennedy Alpiar
>> 310.339.9603 (Los Angeles)
>> 937.294.0900 (Dayton)
>> 877.294.0912 (Toll Free)
>> www.alpiar.com
>>
>>
>>
>>
>>> -----Original Message-----
>>> From: fmpro-bounces+chris=alpiar.com at nxport.com
>>> [mailto:fmpro-bounces+chris=alpiar.com at nxport.com] On Behalf
>>> Of Louis King
>>> Sent: Wednesday, April 30, 2008 9:06 PM
>>> To: fmpro at nxport.com
>>> Subject: Re: [Fmpro] Anyone using the QLSO ?????
>>>
>>> well I have the VSL for Giga ...
>>>
>>> also the SI series for Giga plus some Dan Dean stuff ( which are
>>> amazing) ... SI is a memory HOGS
>>>
>>> both are great but for 1k to have a full orchestra in the mac
>>> ready to go with some nice templates ready to go might be a
>>> smart buy ...
>>> The demos sound pretty good
>>>
>>>
>>>
>>>
>>>
>>> On Apr 30, 2008, at 9:00 PM, Christopher Alpiar wrote:
>>>
>>>> Cool tell those Austrians I want my finder's fee ;-)
>>>>
>>>> And indeed I have way too much stuff, it often bogs me
>>> down. I really
>>>> should ebay off my old hardware. But mostly the samples take a long
>>>> time to get used to. I started using VSL in 2003 and still
>>> I know only
>>>> a piece of what it can do. And I have never upgraded to the Vienna
>>>> Instruments, my stuff is old school in comparison.
>>>>
>>>> I am only a very recent EastWest library owner and so I
>>> have spent a
>>>> lot of time learning about it, but I still have not much to
>>> show using
>>>> it. Part of my problem is I am using an Intel Mac Pro and EastWest
>>>> does not work on it without running through the full version of
>>>> Kontakt 3, which I had to buy separately. So I have spent a LOT of
>>>> time and energy figuring out workarounds that don't quite
>>> work yet and
>>>> less than I would have enjoyed exploring the EWQLSO sounds and
>>>> possibilities
>>>>
>>>> Christopher Kennedy Alpiar
>>>> Cinematic Composer
>>>> 937.294.0900 (Dayton Studio)
>>>> 310.339.9603 (Los Angeles)
>>>> 877.294.0912 (Toll Free)
>>>> www.alpiar.com
>>>>
>>>>
>>>> On Apr 30, 2008, at 8:48 PM, Robert Stanton wrote:
>>>>
>>>>> Hi Chris,
>>>>> It is a cool package and very affordable even for the full pop. I
>>>>> wrestled with getting that or the VSL Special Edition and
>>>>> Ensemble.
>>>>> Ultimately it
>>>>> came down, for me anyway with limited resources, to abundance and
>>>>> quality, or enough for now and extraordinary quality. As
>>> you know I
>>>>> went for the VSL but it was a tough decision. Hopefully by this
>>>>> Friday I'll get things going. Got my Events 6s today; that was
>>>>> another tough decision having had all the input here but
>>> it was much
>>>>> appreciated. I finally chose the Events because there were less
>>>>> unknown factors because I've been using in the paid studio I
>>>>> sometimes use, and I knew they were comparable to some of
>>> the quality
>>>>> ones mentioned here in sound and price.
>>>>>
>>>>> Anyway, QLSO is cool. I will say, you sure have a lot of
>>> gear! How
>>>>> decide which to use? You don't know this but it was you who
>>>>> introduced me to VSL
>>>>> :-)
>>>>>
>>>>> Thank you very much!
>>>>>
>>>>> Robert Scott Stanton
>>>>> San Francisco Bay Area, CA
>>>>> zolessi at comcast.net
>>>>> http://www.soundclick.com/bands/default.cfm?bandID=822049
>>>> _______________________________________________
>>>> The Film Music Pro List is sponsored by Film Music Magazine -
>>>> http://www.filmmusicmag.com
>>>>
>>>> Best of FMPRO: http://www.fmproquotes.com - Quotes site by
>>> Billy Hale
>>>> Music
>>>>
>>>> To edit your list options or unsubscribe, visit:
>>>> http://nxport.com/mailman/listinfo/fmpro
>>>
>>> "New York City is like a big ship ... and the water is on
>>> fire" - Tom Waits
>>>
>>>
>>> _______________________________________________
>>> The Film Music Pro List is sponsored by Film Music Magazine -
>>> http://www.filmmusicmag.com
>>>
>>> Best of FMPRO: http://www.fmproquotes.com - Quotes site by
>>> Billy Hale Music
>>>
>>> To edit your list options or unsubscribe, visit:
>>> http://nxport.com/mailman/listinfo/fmpro
>>>
>>
>> _______________________________________________
>> The Film Music Pro List is sponsored by Film Music Magazine -
>> http://www.filmmusicmag.com
>>
>> Best of FMPRO: http://www.fmproquotes.com - Quotes site by Billy
>> Hale Music
>>
>> To edit your list options or unsubscribe, visit:
>> http://nxport.com/mailman/listinfo/fmpro
>
> "New York City is like a big ship ... and the water is on fire" - Tom
> Waits
>
>
> _______________________________________________
> The Film Music Pro List is sponsored by Film Music Magazine - http://www.filmmusicmag.com
>
> Best of FMPRO: http://www.fmproquotes.com - Quotes site by Billy
> Hale Music
>
> To edit your list options or unsubscribe, visit:
> http://nxport.com/mailman/listinfo/fmpro
More information about the FMPRO
mailing list