[Fmpro] infringe or not?
CORBERLAW@aol.com
CORBERLAW at aol.com
Wed May 21 17:04:33 GMT 2008
In a message dated 5/21/2008 5:04:04 AM Pacific Daylight Time,
fmpro-request at nxport.com writes:
Message: 5
Date: Wed, 21 May 2008 06:32:13 +1000
From: Mark Northam <markn at gmocorp.com>
Subject: Re: [Fmpro] Is this plagarism?
To: <fmpro at nxport.com>
Message-ID: <C459726D.4E15B%markn at gmocorp.com>
Content-Type: text/plain; charset="ISO-8859-1"
You may want to consider an "indemnity agreement" at this point, in my
opinion.
They are asking YOU to get close to the line copyright-wise, so they need to
take the financial risk.
An indemnity agreement says, basically, that the production company
"indemnifies you" for any consequences that occur as a direct result of
their actions in this matter. To indemnify means to "hold harmless", meaning
they would pay your legal bills if you were sued for copyright infringement,
and they would assume any and all risks (including those to you) of this
action. In essence, they assume 100% of the risk.
This is one of those areas that tends not to matter if the project isn't a
commercial success. But if for any reason the project IS a commercial
success, you may find yourself dealing with a different set of people who
may feel quite differently about copyright infringement if there are
suddenly "deep pockets" (as in, a financial successful project) to go after.
Best,
Mark N.
Greetings, Mark. I'm back from a near death experience, a coma and "kaiser
hell."
Mark makes an excellent suggestion. More than that, the production company
ought to get a rider to their e&o policy covering your work. What is amusing
and annoying is how a production company will ask you to infringe or emulate
another's work but still expect you to certify all work is your original
work and not an infringement on another's rights. This was the case with a
composer I represented in connection with some animated shorts for Dreamworks.
Dreamworks wanted him to copy the style of another's works, yet sign a
contract certifying that all music was original with the client. I modified the
contract to protect my client and Dreamworks had no problem with it, in fact I
heard later they incorporated what I wrote into their standard contract.
Contracts should be, ideally, in many respects, mirror images, if they have
a right so should you. Most contracts have both a certification of
originality clause and an indemnification clause (basically, if the company gets sued
because of your work, you pay all their bills, including attorney's fees to
fight the suit--which could take all the money they paid you and more out of
your pocket).
Despite that, if your work can be proven to be a true parody, the first
amendment might protect you from an infringement suit but you'd still have to pay
all the defense costs of that suit.
If you're truly concerned, you might want to consult an expert on such
things.
Good luck.
Brian Lee Corber
_corberlaw at aol.com_ (mailto:corberlaw at aol.com) ,
**************Get trade secrets for amazing burgers. Watch "Cooking with
Tyler Florence" on AOL Food.
(http://food.aol.com/tyler-florence?video=4&?NCID=aolfod00030000000002)
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