[Fmpro] catagories/vocabulary
JJB
onephatcat at earthlink.net
Tue May 27 23:25:44 GMT 2008
I don't think this is a vocabulary issue. It's important to be able to
translate feelings into music. Your imagination needs to interpret
"stark". There is nothing ambiguous about stark. What image does stark
bring up in your mind? What does stark sound like to you? Does it sound
like a dark room with a piano in it? Does it sound like an empty
desolate street with no trees? Wait, that's "bleak"! People will
usually ask you to interpret the feeling they are looking for into
music. They won't usually ask you for "strings and oboe here with a
heavy synthesized bass line". You need to let go of the technical
aspects of music in this context and move into an emotionally
interpretive mode. If you have technical skills, your
heart/spirit/subconsicous/etc will probably take care of the translation
into (assuming you have developed your emotive self) orchestration. A
stark sound can be achieved with orchestra or other instrumentation. It
is about feeling. For instance, some major 2nd dissonance in a string
part could easily create a stark feeling.
You could even build the starkness into desolation, despair and
dissolution, distilled with desperation and then dazzle them with
dissonant disinterested dorian dominance...delivered on a DVD! ;-)
Your clients will be happier if they can call you on the phone and
describe a feeling to you, and then you can deliver that feeling. It
doesn't matter what the orchestration is if it captures that feeling.
Well, now you know what stark sounds like to your current clients. If
you don't know what they are talking about, you could ask them for an
example of music that has the feeling they are looking for, although
once you do that, you might find yourself stuck with creating an
imitative piece instead of something original.
Joel
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